Brand design for Anki, an artificial intelligence toy race car company. The grid acts as a platform in which the logo is formed. Logo design and track design. Direction on Product Photography, Website design, packaging design. Collaboration with Martin Grasser. Produced at West studio, San Francisco. 

Audi brand asset package at the International Salon De L'Auto event in Switzerland 2014. Tasked with the challenge of creating 4 motion pieces that speak to the 4 areas of communication of Audi (sport, quattro, ultra, technologies). 
Direction and design of all four assets in collaboration with Cody Redmer.

Client: Audi AG, Ingolstadt, Germany

Audi brand asset package at the International Salon De L'Auto event in Switzerland 2014. Tasked with the challenge of creating 4 motion pieces that speak to the 4 areas of communication of Audi (sport, quattro, ultra, technologies). 
Direction and design of all four assets in collaboration with Cody Redmer.

Client: Audi AG, Ingolstadt, Germany

Audi brand asset package at the International Salon De L'Auto event in Switzerland 2014. Tasked with the challenge of creating 4 motion pieces that speak to the 4 areas of communication of Audi (sport, quattro, ultra, technologies). 
Direction and design of all four assets in collaboration with Cody Redmer.

Client: Audi AG, Ingolstadt, Germany

Audi brand asset package at the International Salon De L'Auto event in Switzerland 2014. Tasked with the challenge of creating 4 motion pieces that speak to the 4 areas of communication of Audi (sport, quattro, ultra, technologies). 
Direction and design of all four assets in collaboration with Cody Redmer.

Client: Audi AG, Ingolstadt, Germany

Concept, art direction, design for the opening title sequence of the new TV series VIkings. The sequence tells the story of the Vikings through the abstracted form of their most essential weapon…the sea. Living underwater we begin by seeing a glimpse of a Norse ship unveiling what is certain to be the harsh beginning of the Viking Age. The imagery is cold and real, detailed and ornate. We see it in an ironic beautiful state, even slow and graceful at times, as the water brings a dramatic portrayal of Viking destruction and power. Produced at Prologue.

Main on end title sequence. Creative Director: Simon Clowes. Produced at Prologue Films. 

Illustration and design for Rango Main On End. Creative Director: Henry Hobson. Produced at Prologue Films.

Design and art direction. Pitch for the title sequence of Iron Man 3. Creative Director: Jose Ortiz. 

Art direction, design for the prologue of The Hunger Games: Catching Fire . Produced at Prologue.

Poster design for The Amazing Spiderman. Produced at Prologue.

Illustration and logo design for the short film Love in the Time of Advertising. Produced at Wolf & Crow.

Main on end title sequence design for Jack the Giant Slayer. Produced at Prologue.

Design and illustration for the opening sequence for Fairly Legal. Creative director: Danny Yount. Produced at Prologue.

Concept, art direction, design for MLB rebrand. Produced at Prologue.

VFX and opening title sequence design for Now You See Me. The film collaborated with the Graffiti Artist Retna.
Creative Director: Danny Yount. Produced at Prologue.

Main title design for Outbreak. Collaboration with June Kim. 

Design and art direction for Total Recall's opening title sequence. Produced at Prologue.

Global from Scratch, object 1
The Global from Scratch Project is an installation which attempts to capture the emergence of a new global culture born out of technological advances. These advances have provided us unlimited and instant access to, as well as mobility and speed for obtaining information. Moreover, this new technology has eliminated many of the boundaries that in the past have separated people into unique geographic and nationalistic cultures. As these cultural traditions begin to fade and change, we see a new culture, a global culture, created almost from scratch. Collaboration with Martin Grasser.

Global From Scratch, Object 02
The abstract letterform installation was created through observation of new forms that were created in the layering and collaging of texts and images from different global newspapers. These 3d forms are meant to represent an attempt to create new letterforms that may begin represent a new global language. These forms were created by compressing stacks of newspaper with glue and cutting the forms by hand on a band saw. Collaboration with Martin Grasser.

Painting made with Xerox. Collaboration with Marty Grasser 

Design and illustration for John Carter. Produced at Prologue.

Visual effects design for Battleship. Produced at Prologue.

Personal project inspired by fashion from the early 1900s.